#Something To Write Home About

[sagehaleyofficial]

On this day 25 years ago, The Get Up Kids released their second album Something to Write Home About. 🤖

The album sold over 100,000 copies and is credited with establishing its label, Vagrant Records, as an emo music industry powerhouse. It's been viewed as an important release for the second wave of emo and an influence on the third wave of acts to follow.

Happy 25th anniversary! What's your favorite song off of this iconic album?

[starlit-rain]

Long way from home

Lost by an echo I'd never have known

[punkrockmixtapes]

The Get Up Kids - I'll Catch You

[balleralbumcovers]

EPIC ALBUM COVER #165

The Get Up Kids - Something to Write Home About

Released: 1999 (Vagrant, Doghouse, Heroes & Villains)

Emo-pop, pop punk

[nineteenfiftysix]

The Get Up Kids - Holiday (Something To Write Home About, 1999)

[doyoulikethisemoband]

[therebloger22]

New video up about The Get Up Kids Something To Write Home About 25th anniversary vinyl and tour. I'm branching out and letting Tumblr know about my YouTube channel

[depravednotdeprived]

[bizarrelittlemew]

i can't wait to be 30+ and still in fandom and i can't wait to be 40+ and still in fandom and i can't wait to be 50+ and still in fandom and i can't wait to be 60+ and still in fandom and i can't wait to be 70+ and still in fandom and i can't wait to be 80+ and still in fandom and i can't wait to be 90+ and still in fandom and i can't wait to look back on my life and know that i loved things deeply and passionately and was inspired to create and was part of communities with incredible people from all over the world brought together by the stories that touched us

[canisalbus]

Yeah sorry I drew this.

Hope you feel better soon ♡

.

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[mewsik]

Close To Home - The Get Up Kids

[eightspringdays]

I've been crying the whole DAY. Look back is literally an ode to someone who loves to create, who works their ass off to improve at it and sometimes it just doesn't matter because they are still going to be people that will be better than you and then you think you don't love that much anyway, so why care to keep doing it at the end? You enjoy it better as an spectator, without all the trouble that comes with doing it yourself

Until you remember WHY you started loving in the first place, why despite the fact it takes time, it's stressful, makes you angry, makes you sad or even if people tells you that you should be doing something else... at the end, still makes you happy, still makes you find people who love the same thing as you and you made them happy too, still makes you feel that you can do something that comes from you and no one else can because it's You.

And if you worked so hard for it once, it was for a reason, and sometimes you just forget what it was, but doesn't mean it isn't there anymore. Because the past you, the now you and the future you, come from the same place and it deserves to be happy, and that's unique and it is something worth working for

[wiltenjoyer]

🎈 New Year's Eve at Foster's 🎉

(full comic under the cut)

[aletterinthenameofsanity]

There's something to be said about Nine and Twelve as parallels, about them being these seeming grumps with hearts of gold who must relearn optimism while being fundamentally kind at the end of the day, and Eleven and Thirteen as parallels, as these lonely tinkerers who travel with multiple companions at the same time but push people away before they get too close because they are creatures built on grief, and Ten alone, as something that is all and none of the above, who starts out as a creature born of love but who loses said love and is willing to die and must find grounding but loses said grounding and declares himself the Time Lord Victorious because if he cannot have love he has to have something, anything, he can call his own, and about how all five of them are shaped, fundamentally, by their grief and their guilt over the Time War and being the last of their kind and how every companion leaves them and they will always, always be the last one in the TARDIS, always be the last one surviving, no matter what, and yet all of them, at the end of the day, die to save someone. Die to be kind, just one more time. Because that is what ties them all together. That is what makes them the Doctor.